Feminerds - Talzir

Photo

Thu, 23 May 2013 23:06:36 +1000

m-i-s-o: A dress made for my very first solo show three years...

Thu, 23 May 2013 21:43:50 +1000

A dress made for my very first solo show three years ago, sewn with Warren Harrison, and tattooed by Paul Stillen — -
made from a tattooed kangaroo skin, all the drawings are hidden on the inside – made to rub & age with wear & sweat.

top photos by olga bennett / detail photos by miso.

m-i-s-o: miso home-made tattoos ; orion’s belt on andrew —...

Thu, 23 May 2013 19:42:47 +1000

m-i-s-o:

miso

home-made tattoos ; orion’s belt on andrew — melbourne, 2013

chipcococafe: Steamed Totoro Cupcakes with recipe (spanish)

Thu, 23 May 2013 17:44:49 +1000

chipcococafe:

Steamed Totoro Cupcakes with recipe (spanish)

nevver: Michał Karcz

Thu, 23 May 2013 17:15:50 +1000

nevver:

Michał Karcz

wtv-rr: Still one of my favorite runway shows.Alexander...

Thu, 23 May 2013 15:33:28 +1000

wtv-rr:

Still one of my favorite runway shows.
Alexander McQueen Spring/ Summer 2005

"Kanye West is white America’s worst nightmare. Because as much as one may attempt to dismiss him —..."

Thu, 23 May 2013 13:59:19 +1000

“

Kanye West is white America’s worst nightmare. Because as much as one may attempt to dismiss him — by calling him an asshole or classless or deranged or various other adjectives that fill the comment sections of literally every article about him — you still have to turn on your regularly scheduled late night comedy program and stare him in the face. You can’t avoid Kanye. He’s made very sure of that.

[…]

Kanye is not a “new slave” in the same sense as the victims of the prison industrial complex, but he is still trapped in a world that expects him to not only be complicit with the struggle of his people, but to be appreciative that he is not one of them. And on top of all that, while he gets to exist in the world of the 1%, having the money and signifiers of success still aren’t enough to make his (white) 1% peers actually even respect him.

[…]

The ideals of Public Enemy are as relevant today as they were in the 80s, but hip-hop was nowhere near as dominant and omnipresent a cultural force as it is at this moment; to compare the reach of their messages is silly. Upper-middle class white families did not have to deal with Public Enemy if they didn’t want to. Similarly with politically-minded “noise rap” artists that have been name-dropped in reviews of Kanye’s new material — it’s all well and good for Death Grips and Blackie and even Killer Mike to espouse similar messages and sounds (and honestly, the sonic qualities of “New Slaves” and “Black Skinhead” are hardly at the top of the list of why they’re important), but none of them have anywhere near the amount of visibility and influence as Kanye, even if they did hit it first.

[…]

People in current positions of comfort and stability are so willing to dismiss the transgressive thoughts of an angry black man that they will use any convenient excuse to diminish from them; if someone says something that makes you uncomfortable, why not immediately change the subject to his girlfriend’s ass or that time he yelled at a papparazzi or that time he got drunk and embarrassed a white girl? When was it exactly that Kanye shifted, in the eyes of the mainstream, from lovable polo-wearing backpacker to perpetually and unanimously An Asshole? When, precisely, did everything he said get immediately categorized as a “rant” or “controversial” regardless of the actual content? I want to say it was around the time when he said that George Bush didn’t care about black people on live tv. Hmm. Odd.

”

- Meaghan Garvey, Who Will Survive In America? (via machistado)

“I don’t believe in men’s wear or women’s wear, I just like...

Thu, 23 May 2013 13:26:45 +1000

“I don’t believe in men’s wear or women’s wear, I just like what I like.”

dearscience: Archabbey of Pannonhalma

Thu, 23 May 2013 12:27:57 +1000

dearscience:

Archabbey of Pannonhalma

Elizabeth Debicki as Jordan Baker, photographed by Hugh...

Thu, 23 May 2013 12:21:48 +1000

Elizabeth Debicki as Jordan Baker, photographed by Hugh Stewart.

Photo

Thu, 23 May 2013 11:44:06 +1000

Photo

Thu, 23 May 2013 11:39:45 +1000

Skingraft hoodie, filled under thing to buy once we’ve...

Thu, 23 May 2013 11:26:45 +1000

Skingraft hoodie, filled under thing to buy once we’ve actually settled into the new house properly.

Photo

Thu, 23 May 2013 11:22:22 +1000

Photo

Wed, 22 May 2013 16:34:26 +1000

waaaaitwhat: I didin’t make this and this isn’t mine but I...

Wed, 22 May 2013 16:25:21 +1000

waaaaitwhat:

I didin’t make this and this isn’t mine but I guess in my half asleep state I downloaded it last night so here it is, maybe the best thing ever.

Photo

Wed, 22 May 2013 16:19:53 +1000

artchipel: Patricia March - Orign of time (2009)

Wed, 22 May 2013 16:06:45 +1000

artchipel:

Patricia March - Orign of time (2009)

coco-is-haute: Reem Acra | Fall 2013

Wed, 22 May 2013 13:44:17 +1000

coco-is-haute:

Reem Acra | Fall 2013

parkavenuearmory: What’s the story behind these insane photos...

Wed, 22 May 2013 12:31:08 +1000

Photo: Xevi Muntané

Photo: Xevi Muntané

Photo: Xevi Muntané

Photo: Xevi Muntané

Photo: Xevi Muntané

parkavenuearmory:

What’s the story behind these insane photos of Marina Abramović? For the answer, consult art and fashion quarterly, BULLETT Magazine, who shot and ran the images:

Two days before her BULLETT photo shoot, on a national holiday in Spain, Marina Abramović writes an email from her suite at the Tryp Madrid Ambassador Hotel requesting the following items: “1 oversize white men’s button-up shirt, 1 simple large glass of water, 1 white candle, and 1 very sexy man in a tuxedo (whom I can potentially carry around).” These are, of course, perfectly reasonable requests, but there are more. Abramović would also like “2 ravens and 1 eagle and 1 baby tiger.”
Read the full story here, and mark your calendar for December 2013, when The Life and Death of Marina Abramović makes its U.S. debut at the Armory.